About

1973, Herk-de-Stad, Belgium. I currently live in Hasselt, Belgium.

My work consists of photography and collage work. I am interested in the subjective experience of time and our relationship with time as a constraint or a driving force for life. 

Slow time is the main focus of my photographic series Phantom Flowers. I photograph the effect of time on funerary flowers in resin that have been exposed to the elements like sun and rain for more than 30 years. This is an archival project about the effect of time on the human efforts of preservation.

Extremely fast time is the focus of another photographic series called Phosphene Photos in which I photograph the experience of pressure applied to the closed eyelid and the quick visual transients it produces. This project is about the ephemeral, the volatile experience that only lasts milliseconds before it changes into something else.

My collage work Kollaroids is a 1000 collages project about compressed time (and space) where I assemble parts of old photographs taken at different times, at different places and by different people into a new universal moment or hypermoment. The result is a new trivial or absurd scene in which the viewer experiences different times and places at once as if they exist in one singular point.

Kim Windmolders - 2023


Past Exhibitions

27-31 October: Anverres - Brialmontlei 60 - 2018 Antwerp, Belgium

18-19 & 25-26 June: Collabs/ Collapse - NADA7  - Bevrijdingslei 32, Kalmthout, Belgium

Expogram - Kunstennacht 2022 - Oude Gevangenis, Martelarenlaan 42, Hasselt, Belgium

Chou-Fleur - Persoonstraat 24 - 3500 Hasselt, Belgium (1  big work on display & posters for sale)

Balthasar Brussel - Grote Zavel 40 - 1000 Brussels, Belgium

Maison Roger - Naamsestraat 86/Étage n°1 - 1000 Brussels, Belgium

6th Biennial of Fine Art & Documentary Photography - Fotonostrum, The Mediterranean House of Photography - Carrer de la Diputacio 48, 08015 Barcelona, Spain

“I like it when one is not certain what one sees. When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.”

— Saul Leiter

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Using Format